50 Best Movies On Amazon Prime You Haven’t Yet Seen

Understated in budget but lavished with praise, this semi-autobiographical drama by Daniel Destin Cretton flings its audience into the chaotic lives and personal crises of at-risk youths and the passionate social workers that aid them. In his first feature film, the young director draws the viewers into the storm of events and the emotional ups-and-downs of social work in America, going from uplifting to depressing and back – and every emotion in-between.

Set in the real-life and eponymous group home Short Term 12, devoted but troubled foster-care worker Grace is played by Brie Larson, whose shining performance in her first leading role was lauded by critics. Fans will also recognize the supporting actors Lakeith Stanfield and Rami Malek, who broke out in this movie. Short Term 12 is now considered one of the most important movies of 2013 – some say of the decade – owing to its immaculate writing, intimate camerawork, and gripping performances.

Get ready to cry your eyes out, scream in anger, but also rejoice at the powerful love that exists in our world. We will not spoiler the premise of this documentary and urge you not to do so yourself. Instead, we recommend watching it and prepare to be changed forever. Call it true crime if you will, but this documentary is much more. Hailed as one of the most important documentaries of the 2000s, it is a testament to friendship and love, a real-life thriller, and a political denouncement all in one.

Simply titled The Imposter, this film by English documentary maker Bart Layton tells an unbelievable tale. Any plot summary doing this film justice has to err on the side of brevity, which is why it will be only one line long: this is the story of Frederic Bourdin, a serial imposter nicknamed “The Chameleon”, who at one time claimed to be the missing son of a family from Texas. The film is so well-shot that it is hard to tell fact from fiction at times and it will force you to remind yourself that this is in fact real life. Expect twists and turns at every corner and brilliant storytelling from real people. If Christopher Nolan created a 48-hour story, it would pale in comparison to this film.

The Station Agent is about loneliness, change and friendship. Sounds corny right? It’s not. The characters are developed, they have their own reasons for the choices they make and nothing feels forced, neither actions or conversations. It’s a small and wonderful movie about a little man that moves out of the city and his comfort zone when his only friend dies, moves to said friend’s old train station and sets his life there. From there on it follows his social interactions with a slew of people, the relationships he forms with them. Oh, and the little man? Peter Dinklage (Tyrion Lannister), who pulls off a great performance, albeit a quiet one.

Told in urgent fashion with first-hand accounts from cyber professionals from around the globe, Zero Days is a fascinating and alarming documentary about the Stuxnet computer virus. Originally codenamed “Olympic Games” by the people that fathered the worm, Stuxnet is a virus in the true sense of the word. It not only maliciously feeds off the host, but it also replicates itself as soon as it is implanted, which is exactly what it did when it was used by the US and Israeli secret services to sabotage centrifuges inside Iran’s Natanz nuclear plant—making them spin out of control. All this is brilliantly unpacked by renowned documentary maker Alex Gibney (Going Clear, Enron: The Smartest Guys in the Room), who manages not only to detail the complexities of advanced coding in a remarkably evocative manner, but also to send out a well-researched alarm call about the future of war. Ultimately, the message here is that cyber warfare is very much part of our new shared reality. This film deserves to be seen by anyone who is even remotely concerned about global security in the 21st century.

Do today’s political talk shows often feel like meek, scripted, and predictable affairs to you? Would you rather have that euphoric feeling you get when watching someone smart and eloquent talk about important ideas? Multiply that by two and you get Best of Enemies. In 1968, ABC covered the Republican National Convention in Miami Beach and the historic Democratic National Convention in Chicago by airing a 10-part series of nationally televised debates between two ideologically opposed and sharp-minded public intellectuals: Gore Vidal and William F. Buckley. The former was an ardent and openly bisexual liberal and progressive. The latter an elitist cultural conservative, whose magazine, National Review, vowed to always support the most far-right candidate viable for office. This confrontational set-up is not only credited with ushering in an era of pundit politics, but also with producing some of the most entertaining intellectual debate ever to be seen on TV. When’s the last time you saw anybody unironically being called a “crypto-Nazi” on national television?

Ahmed plays Ruben Stone, a heavy metal drummer, who plays in a band and lives in a tour bus with his girlfriend Lou (Olivia Cooke). Quickly after meeting the couple, we witness the touring musician drastically losing his hearing. As recovering addicts with little financial means, they soon run out of options. Lou desperately wants to prevent Ruben’s relapse into addiction and so she helps him retreat to a deaf community group home, run by the illustrious Joe, a truly amazing character played by the equally amazing Paul Raci, himself the hearing son of deaf parents. There is something deeper going on though: the question of what disability is, and how, despite how it drastically changes Ruben’s life, it might not be his biggest problem. In addition to the stellar acting and delicate writing, we experience his condition through the incredible sound design used by director Darius Marder, complete with muffled conversations, garbled noises, and piercing silence. This is a movie to be taken in completely. Above all, it’s about Riz Ahmed’s performance. He learned to play drums, sign language, and studied deafness ahead of the shooting, and he does not strike a wrong note.

In a world where mortality has been overcome, people watch in awe as the as the 118-year-old Nemo Nobody, the last mortal on Earth, nears his end. He is interviewed about his life, recounting it at three points in time: as a 9-year-old after his parents divorced, when he first fell in love at 15, and as an adult at 34. The three stories seemingly contradict each other. Utilizing non-linear cinematography, Belgian director Jaco Van Dormael presents each of these branching pathways as a version of what could have been. The result is a complex, entangled narrative. That and the movie’s ensemble cast, featuring Jared Leto, Sarah Polley, and Diane Kruger, have turned Mr. Nobody into a cult classic. The soundtrack, featuring several of the beautifully restrained music by Eric Satie, is also considered a masterpiece. While it is surely not for everybody, this is trippy, intimate, and existential sci-fi at its best.

Ex Machina is the directorial debut of Alex Garland, the writer of 28 Days Later (and 28 Weeks Later). It tells the story of Caleb (Domhnall Gleeson from About Time), an IT developer who is invited by a billionaire CEO to participate in a groundbreaking experiment—administering a Turing test to a humanoid robot called Ava (Alicia Vikander). Meeting the robot with feelings of superiority at first, questions of trust and ethics soon collide with the protagonist’s personal views. While this dazzling film does not rely on them, the visual effects and the overall look-feel of Ex Machina are absolutely stunning and were rightly picked for an Academy Award. They make Ex Machina feel just as casually futuristic as the equally stylish Her and, like Joaquin Phoenix, Gleeson aka Caleb must confront the feelings he develops towards a machine, despite his full awareness that ‘she’ is just that. This is possibly as close to Kubrick as anyone got in the 21st century. Ex Machina is clever, thrilling, and packed with engaging ideas.

From the producers of The Kids Are Alright comes another excellent family drama starring Juliane Moore. She plays a hot-headed rock singer who battles her divorced husband, a narcissistic art dealer, expertly played by the unlikely Steeve Coogan, for custody of her daughter Maisie. When one of them marries the girl’s nanny, the other rushes into marriage as well. Based on Henry James’ titular novel from 1897, it tells the story of a quiet, sensitive young girl coping with being used as a pawn by egotistical parents who spite each other. It is sometimes hard to watch the girl get caught up in all this but the young actress playing Maisie, Onata Aprile, plays the part brilliantly. The screenplay adaption of the ahead-of-its-time material of the book by Nancy Doyne and Carroll Cartwright also hits every note with passion. A harrowing but powerful film.